I though you might like to see my “new” door curtains.
You may recall that we have a “Jack & Jill” shower room on the second floor at the French village house.
We now have functional locks on the access doors to both bedrooms so that potential embarrassment is nailed, the glass is obscured and there are metal decorative grilles on the doors, but I always intended to have curtains to pull across.
They make the rooms look so cosy at night and you all know that I love my fabrics and textures and colours.
The tulip room needed a heavier curtain as one can see right into the shower room from the bed. This one was made for the front door of my Georgian (1762) cottage in the UK and had to be lined and interlined and carefully weighted as there was only a tiny porch between the sitting room and the street! It was made up beautifully by one of my most experienced sewers when I managed a soft furnishings store over 20 years ago, so may qualify for vintage. It’s a dull tea coloured silk damask with an almost white cotton overweave which solves the perpetual quandary where certain creams and certain whites don’t always work together. These do.
In the terrace room, a lighter curtain is fine. As both sides of the house are at different levels (do keep up!) there are a couple of steps cut into the thick wall to access the shower room from that side . I used an unbleached bought French cotton/linen curtain as the main fabric and it was the perfect excuse to add a border in this wonderfully OTT faux taffeta fabric with scattered sparkly bits attached.
I found this fabric in teal and bronze colourways in the UK (Dunelm Mills) and used that to make beaded and bordered Moroccan style curtains for the Argeles apartment.
I couldn’t resist buying metres of the dusky, dirty grape colourway also; but full curtains in this fabric would have been overkill at Campagne, so just this mix of rough, rustic, natural and the quirky boho glamour fabric is perfect I think.
Love reading about your undertakings. I too love fabrics and textures, the richness, colours, workmanship…
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Thanks. Yes I am borderline obsessed with textiles, particularly embroidery
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Both are exquisite … each fits its purpose and enhances its place and that is the most important balance in any interior project. In my humblest of humbles, only 🙂
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thank you.
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The dusky grape (love that description) is gorgeous. So are your repurposed damask beauties.
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Yes, that deep violet is a great touch!
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It’s softer than it looks in the photos.
i would call it a dusty mauve-ish grape?
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I recently learned the word portières for curtains hung in doorways in Victorian and early 20th Century houses. I guess this French word, like entrée, has a definition in (possibly only American) English that’s not the same as in French?
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aware of word, but in French it means door, rather than door curtain
I try to avoid faux-amis
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Interestingly, you’re both right 😀
It’s an old fashioned word which can mean door (on a car/train compartment/garden gates), but is also used to refer to a textile used to cover a door (especially in the case of tapestries.)
Btw, everything looks fantastic!
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I asked my French friend and she said word is barely used now for that meaning (she is v young)
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She’s right. I know it in the context of tapestries, which is what I specialised in. The really wonderful, tall and narrow types:

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Those are really lovely. Sadly many French tapestries are really naff, badly designed and the colours are vile (in my opinion, but I am a stickler for good draughtsmanship and good use of colour. I know the second is subjective)
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Yes, when tapestries went from manual weave to mechanical weave in the late 19th century, everything went downhill. Machine woven pieces have very low market value in general and don’t make it to (the major) auction houses. They’re the ones with the terrible colours and designs.

Aubusson, Beauvais and Flemish pieces, on the other hand, are a whole other story. Natural colours, hand dyed, hand woven…
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I know a teeny bit above it Aubusson, not much about Beauvais and Flemish but always prepared to learn.
So you don’t specialise in tapestries any more?
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I studied art history and then specialised in tapestries, so it’s always going to be my thing; But the market crashed after the financial crisis so I had to learn very quickly about other things to be able to stay relevant (and employed!) 🙂
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I also studied art history. And am trying to stay relevant and employed. Good luck to both of us I say…..
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How interesting! I did have the impression your focus was in the same area as mine 🙂
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And thanks for the compliment, as the glimpses of your maison suggest a temple to good taste!
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Thanks 🙂 It’s been exhausting, and overwhelming. Some days I look around and wonder what in the world we were thinking- then other days I dance around in glee…
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snap!
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